![]() ![]() A tower or turret marks the style for even novice old-house buffs. It’s perhaps the pinnacle of American Queen Anne. Expansive porches-piazzas or verandahs-are a distinctly American innovation. Many of these early examples incorporate masonry or stucco and feature prominent chimneys. Richardson are in the tradition of Richard Norman Shaw, the former Gothicist and English architect who interpreted vernacular houses during the mid-19th century. Bold examples by such American architects as H.H. Phases of American Queen AnneĮarly examples are unmistakably English, borrowing such details as half-timbering and carving from 17th-century architecture. The wide front porch is a favorite spot children love the porch swing, a replacement made to replicate the original seen in old photographs. ![]() See Victorian Exterior Paint Colors for more about Queen Anne exteriors. Sawn, chamfered, carved, lathe-turned, and applied ornament is used on porches, gables, cornices, and story breaks. ![]() (Polychrome painting plays up surface texture even more.) Belt courses, gable ornament, turnings, brackets, balustrades, and sawn-wood “gingerbread” keep it interesting. Surfaces are broken by a switch from stone or clapboard to shingles, often with fancy-cut butts. Towers, turrets, bays, porches, and roofline break the box. Greg Kozawa Recommended Queen Anne Styling of the 1860s Millwork framing the 8′-tall pocket door (left) leading to the dining room is new, custom-cut to match surviving samples, but blends seamlessly with the antique door. The houses also had Palladian windows and pedimented entries-it was the beginning of the Colonial Revival. Now porches had classical columns instead of turned posts. The explosion of turned ornament led to the spindlework interpretation, called Eastlake after the English tastemaker and furniture designer (who, by the way, repudiated such gauche American use of his name).īy the 1890s, the all-American Free Classic adaptation was widespread. By 1880 the style appeared in pattern books-Americanized and adapted for city lot and simple cottage. The first American Queen Anne house is probably the half-timbered Watts–Sherman House in Newport, Rhode Island, built in 1874 by Boston architect H.H. Ye olde simple brick house of the 17th century became, in its 1880s revival, the most complex and surface-ornamented of Victorian house styles. When it flourished in America, of course, the idea was transformed. (Shaw didn’t revive the motifs of Queen Anne’s short reign, however rather, his buildings looked back to the late Tudor–Gothic, Elizabethan, and Jacobean periods.) The Queen Anne Style in America In its original philosophy, the Queen Anne movement paralleled that of William Morris and Arts and Crafts reformers. He and other Aesthetic reformers looked back to the reign of “good Queen Anne,” 1702–1714, as a simpler time, when workmanship was emphasized over superficial detail. The Queen Anne Movement began in England in mid-century, easily traced to the famous architect Richard Normal Shaw, a Gothicist. Many roof slates had fallen to the ground, and roof leaks had caused significant rot and interior water damage. The West Coast and resurgent areas of the New South have the most dizzying examples. Go south and west, however, and the style becomes more popular and more fanciful. The Northeast, already heavily populated in the 1880s, has comparatively fewer examples that you might expect. The History of the Queen Anne, Victorian-Architecture Styleĭespite roots in the English “Queen Anne Movement”-a return to early, vernacular architecture-it is here a peculiarly American style in its mass-produced ornamentation (including “gingerbread”) and lavish use of wood. Robust but lighthearted exteriors-with their asymmetrical facades, towers, verandas, and fancy-butt shingles-hint at the sweetly eclectic rooms inside. English-derived and very popular from 1880 through the 1890s, the quintessential Victorian house is a period favorite. ![]()
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